Virtual reality.
Ever the wet dream of many a movie exec through time. But seeing as
it’s still kind of weird in actual reality, dealing with it in a
movie becomes infinitely more complicated. You see, it then requires
imagination, and imagination isn’t really a strong suit for people
behind these types of movies. So that’s a problem. But not an
insurmountable one, because tonight we are taking a, sadly, very real
look at…
This goofy bastard did everything in his power to make me want to turn the movie off. But I couldn't. Because of you guys. You bastards. |
The most diligent
followers of this blog (if you’re reading this, and the most
diligent follower would sure be, thank you for staying with me thus
far! You are a champ) may remember that we’ve dealt with virtual
reality, or the intricate world of hacking, once before on this list
namely in the not so awesome movie .Com for Murder. Hacking and
virtual reality is traditionally not handled well by Hollywood. Even
the prestigious studios (and when I say prestigious I mean studios
with more money to throw at productions than small countries spend on
healthcare annually) has a weird tendency to think hacking is done
via elaborate 3D graphics that are somehow still operated by furious
keyboard button mashing. Case in point is Sawfish, one of the most
ludicrous cases of movie hacking ever released. So if even the high
profile studios (I should stop saying that since Newline released
this piece of shit) can’t get it right, how are we to expect some
lowly crappy production to even come near? The answer is; we should
not. And we will not. This movie did not get anything right. I’m
not a hacker. Nor am I a programmer or creator of virtual reality
software. However, I’m enough of both of these to know, that what
I’m seeing in this movie, is absolute bovine feces altogether. I’m
not in the least surprised. As soon as I read the description, I knew
I was in for nothing new and/or interesting.
They called those eye phones. This was 1996. iPhone from Apple was released in 1997. I don't know about you, but this smells like lawsuit to me. |
The plot of this
film is surprisingly straight forward, yet still managed to lose
coherence after a very short time. I never saw Lawnmower Man 1, so
perhaps that accounts for some of the incoherence, although I doubt
it very much. Peter Parkette (what a name to pick) is back, as the
only recurring character, for the second round. Here he and his
girlfriend, her brother and another dude, are homeless kids living in
the subway in LA. Peters old neighbor Jobe is resuscitated by a
business magnate to create a computer chip so powerful it can connect
every machine/network in the world in one huge virtual reality hub,
and thus control everything. They are seeking senate approval for
this. The fact that their program for total internet domination from
one central location was denied funding by the senate was by far the
most unbelievable part of this movie. Jobe contacts Peter through a
shared virtual reality session (apparently anybody can just join up
at any time) and asks him to get a hold of Dr. Benjamin Trace because
of complicated and non-disclosed reasons. Why he asked him to do
this, I’m still unsure of, because it turns out Jobe is not the
good guy he once was. He seeks to take over this huge network, and
control everything. Ever.
This 'scientist' HAS to have been some crew dude who stepped in, or a friend of the director who just happened to visit the set. There is no way he's a professional actor. |
Peter seeks out
this Benjamin Trace, who looks like a mix between Mel Gibson and
Christopher Lambert in Braveheart/Highlander respectively. He is the
innovator behind the computer chip and needs to be involved for some
reason. I don’t understand why he is brought in. But he is. He
joins the kid in their subway lair, where Jobe immediately sends a
run away subway car. Shit starts blowing up willy nilly, and Benjamin
narrowly escapes death. He and the kids recruit a lead scientist in
the project, a woman Benjamin has a strained past with (of course),
who reluctantly at first agrees to pull files in Jobe. When shit
starts hitting the fan, the kids and Benjamin break into the facility
using super hacking shindigs and other interesting tricks. A sort of
virtual reality conference call is held, involving the POTUS wearing
virtual reality goggles. His presence seems very casual. Chaos
ensues, as Benjamin and Peter infiltrate this meeting, and Jobe and
Benjamin duke it out with swords, while scientist chick goes to steal
the physical version of the chip. The two chips have to be destroyed
simultaneously in order to remove the virtual, and evil, Jobe,
returning the real and crippled and apparently misguided Jobe to his
old semi-retarded state. If any of this made sense to you, please
call your psychiatrist. You need help.
So we’re
looking at a movie that absolutely sucks here. I watched it one
night, and was very happy somebody along the lines invented the
smartphone, so I could keep myself from dying of boredom. Also I had
a sports game going on the TV in the background. THAT’S how bored I
was. Even thought the plot is mostly nonsense, it does move somewhat
linear. Still, in true style, lots of scenes that sort of happen out
of context. Or in a context that might’ve seemed relevant right
when it happened, but a follow up just doesn’t happen. It’s
amazing that so many people writing so many movies over so many
decades don’t see this pitfall before it happens. In this movie,
for instance, a scientist dude, played by none other than Castulo
Guerra, one of Hollywood’s goto guys when you need a South- or
Middle American cartel boss type dude, starts pulling files on Jobe
and is subsequently murdered WHILE in the facility. Nothing ever
comes of it, and everybody operates as if he didn’t exist and
wasn’t just brutally electrocuted in one of their labs. So there’s
that. Just a drop in the ocean really. So it’s kind of interesting
how people will write these things, and then just forget that there
needs to be coherence, context and/or continuity. There are tons of
explosions strewn about the place, almost all of which seem
gratuituous. The subway running-from-explosions-in-slow-motion scene
was downright pointless. It was meant to instill a sense of danger
and urgency in me/us I guess, but it filled me with the same kind of
feeling you get, when you accidentally trip and fall into an
alligator pit slash apiary. What exactly was blowing up in the
abandoned subway tunnels is anybody’s guess. Another thing this
movie fell prey to, is the “security cameras everywhere” trope.
At one point Jobe crashes an airplane. We see some shit from the
actual plane, then we see Jobe’s screen hundreds if not thousands
of miles away, and he can not only see the inside of the plane (a
place not typically littered with CCTV cams) but he also has a view
of the fucking airplane from the outside. Like as if a security
camera was flying along the jet plane filming everything. I can’t
even with this.
The final fight. His Braveheart/Highlander look really gave him an edge. |
Lawnmower Man 2
is director Farhad Mann’s second feature film. According to his
IMDb profile, he’s an Emmy
winner for his
film school finishing
short film. He graduated with honors it seems. I can’t find any
evidence to substantiate this claim, so I’m going to go with my gut
feeling on this, and say it’s probably somebody
with a heavy affiliation with Mann that put forth those claims.
Besides this, he's mostly done TV movies and miscellaneous episode
work. Much like lots of the actors in this movie. The first face I
recognized, was Austin O'Brien who most of you will remember as the
kind of annoyingly long haired kid from The Last Action Hero. Yes,
it's him. And he's also annoyingly long haired in this flick. Besides
him, we see Patrick Bergin, whom most of you may or may not remember
as the dude who played break out IRA extremeist with the rough task
of controlling Sean Bean's vendetta in Patriot Games. I think that's
about it for faces we (I) would and/or could recognize. Not a great
harvest, but a few beats none, like in Troll 2 for instance.
To enter virtual reality move was to 'jack in' and there was also talk about setting people free and other things I recognized from 1999's The Matrix. It's all very curious, is what it is. |
My final words on
this flick is, production value was meh. Not super shitty, but
obviously enough to throw in explosions and mediocre CGI. Acting was
mostly horrible, and Jobe's laugh was super annoying. The story was
only somewhat incoherent, but most of all it was just yawn-inducing
dull and drab and tedious and without merit. I hated it. Plain and
simple.
This fucking guy. Wielding some kind of weapon we won't see again in the movie, but will see Donnie Yen weild in Hero many years later. |
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