Our first Uwe Boll
movie, ladies and gentlemen, and it's a doozy. Feating two arguably
great arguably contemporary actors, and many arguably decent CG
effects, with an unarguably shitty script and beyond dispute abysmal
direction, this flick brings us yet another horror story from the
depths of the Bottom 100 vault. I've a feeling (based on sound
knowledge) that it won't be the last Boll flick you will be reading
about on here. But for now, let's have a critical and hopefully
humorous gander at...
How I imagine Slater looked when he first read the script. |
Alone in the Dark
(1997)
Let me just take a
second here, and put Uwe Boll in perspective for you. First off, if
you've been with me from the start, I think I can safely assume, that
you have an affinity for crappy movies. Even my severely delude ego
can't fool myself into thinking you are here for my wits and amusing
observations. In that affinity for crappy movies, there is just no
way you could steer clear of Uwe Boll. The German legend is renowned
for adapting any god damn video game out there into a movie. For a
long time I could not figure out why somebody kept letting this guy
make movies, despite their infinitely shitty quality and poor
turnover at the box office. I've watched a few of them before going
on this here Bottom100 spree, and I hated every single moment. Each
one of his flicks have bombed, and yet he releases disaster upon
disaster into our cinemas, or rather straight to our DVD players. I
finally managed to do some research, and it turns out, that he was
exploiting a loop hole in German law, that stated that as long as you
used a German crew on foreign soil to make a movie, almost the entire
budget of the movie would be tax deductible. Thus, the German
government paid for practically the entire movie, meaning the take at
the box office and DVD sales, however mediocre they might be, were
basically pure profit. From what I hear, people in the German
government are wise to his scheme now, so with a spot of luck they'll
close the loop hole, and Uwe Boll will find himself having a really
hard time securing funds for his crappy projects. Which is as well,
because I can't convince myself, that he actually thinks those movies
are good. It's like a Lance Armstrong situation. Uwe Boll has
defended his movies vehemently, to the point where he arranged a
boxing match between himself and each of his 10 fiercest critics. So
for him to come out and say it was all just a gambit, would be kind
of a stretch. Unless the ever pleasant and neutral Oprah could coerce
him out. We'll see. I'm not holding my breath.
I take my harsh words about Tara back. I forgot she wore glasses, which of course totally convinces me she's intelligent. |
So, Alone in the Dark.
Based on a computer game by the same name, the movie deals with the
daily life of Edward Carnby, detective of the paranormal. In this
particular case, he's dealing with the return of evil demons,
hellbent on ruling the world once again. Apparently they had ruled it
before, but somehow lost their grip. A friend of Edward's dies, and
while investigating this death, Edward encounters the head honcho of
these evil spirits, called the Queen, and her influence on his mind
is going to come back and cause problems for him later on. He stars
unravelling clues left and right, and most of them leads him towards
some fabled Shadow Island. Everything is looking grim, when he is
suddenly aided by his ex girlfriend, genius anthropologist Aline
Cedrac. There is some awkward back and forth between them, before
they finally stick to the cliches, and work together, in order to
solve the mystery before the Queen and her cohorts are unleashed onto
our plane to rule with an iron grip. I don't know if they would rule
with an iron grip, but I assume so since they are evil spirits and
what not. It's seems appropriate behavior for evil spirits who deside
world domination.
The movie opens with a full minute and a half of narrated text. That's how lame the plot is. It can't convey this by natural story telling. |
The spirits lead Edward
and Aline to an abandoned mine shaft, where they have to race against
time, along side a large group of soldiers who are now also involved,
lead by the menacing Cmdr. Richard Burke. Working with and sometimes
against the soldiers, Edward and Aline push themselves to within
inches of their mental limits, in order to close portals or shut down
rituals or whatever is necessary to prevent the Queen from entering
our world. I can't even really remember how they managed to stop
everything, but I've a feeling it involved last second stunts with
cogs and wheels and stopping them. I was wholly detached from reality
at this point, so memory doesn't serve as well as I'd like it to. Of
course the games usually ended ambiguously, because there'd almost
always be a sequel. The movie ended unambiguously, because Uwe Boll
already had other projects lined up, and making a second one here
just wasn't financially viable for him. Somebody else picked up where
he left off though, but that's a different bedtime story that I,
thankfully, won't have to delve into at this point. Amusingly enough,
that flick isn't on my lift.
How I imagine the conversation between Christian Slater and his agent ended. I can't decide who's on top though. |
Uwe Boll. Yes I know, I
already went over him, but I don't think you really appreciate just
how the hell this guy has made it in the business. And I don't mean
made it like he is some hotshot director who would be offered the
Lord of the Rings reboot. But he is big enough, that he can churn out
movies fast and effeciently, and get somewhat big names to star in
said movies. The first of his movies that I ever watched, was
Bloodrayne. For some reason I had been convinced, that it was a
legitimate action adventure featuring both Ben Kingsley and Michael
Madsen as well as Kristinna Loken of Terminator 3 fame (T3 was shit,
but she kind of held her own in it). As Bloodrayne progressed before
my unsuspecting and, at that time, innocent eyes, I realized Ben
Kingsley and Michael Madsen would never again be accepted as an
automatic stamp of quality. Michael Madsen perhaps never was, but I
thought higher of Ben Kingsley, I must admit. In Alone in the Dark,
Uwe Boll also went for high profile names, albeit not quite as high
as Sir Ben Kingsley. Edward Carnby is played by Christian Slater. I
can't say I thought Slater's star had ever risen that high on the
beautiful Hollywood night sky, but I can't deny that he's still kind
of a big name. His stint in Archer has sort of bought him a little
good will, because he's relatively hilarious there. But his parts in
Interview with a Vampire or in Broken Arrow was never that impressive
to me. Alone in the Dark is from 2005, so Slater had already been a
big name for a while, and Uwe Boll had already had some massive
failures. Slater's agent must be a magician, in order to trick him
into accepting this role. Either that, or he had just lost everything
in Vegas. Money is a powerful motivator, after all! Opposing Slater,
in the role of the genius anthropologist we find the unlikeliest of
people; Tara Reid.
Mr. Dorff. Has he ever played anything outside the spectrum of mild sociopath to off the hook lunatic? |
I had the fortune of
meeting Tara Reid in person once, and while she wasn't distinctly
unpleasant, she sure looked like she had seen better days. Alright,
it was out of the spotlight on an off night, so I digress. We
shouldn't adhere to the standards of beauty as set forth by society.
But all I'm saying is, she lives up to many of the rumors out there.
I wasn't ever really a big fan of her as an actress. She did fine in
one of the, arguably, best movies ever made; The Big Lebowski. But
her role demanded her to pretty much just be Tara Reid, so I suppose
that's not saying much. Besides that, there are the American Pie
movies, which again aren't really setting the bar high in terms of
decent acting, since it's a high school movie with awkward people
doing awkward things. Buying Tara as a genius pH.d degree holding
anthropologist, however, was a stretch of the imagination rivalling
Dennis Rodman as a secret agent with a well established agency. It
just did not seem believable, even in a movie where all illusions of
reality had been flushed down the crapper five minutes into the
opening credits. Everything she does in this drab flicker show is
just neigh on hilarious, but for the wrong reasons. I don't really
buy into the premise of anything happening in this movie, but her
being an anthropologist is stretching it. She looks 18 for starters,
and even though I'm aware that you can land a pH.d. right after your
masters, meaning potentially, bar prodigy child syndrome level
genius, you could be a 'doctor' at age 30, there is no way she could
ever pull off pH.d. It just isn't believable. I don't know what it is
about her. But I'm having none of it. So that's kind of ruined right
then and there. Furthermore she plays into every classic stereotype
in the book. Of course they are the unlikely paired couple with a
history. And of course they end up both saving the world AND finding
time for a little horizontal tete-a-tete. Because two people of
opposite sex who spend more than a few hours together, are bound to
fall in love, despite whatever hardships they are, or have already
been, going through.
"This isn't getting a wide cinematic release? Why the fuck not?" |
Overall it's safe to
say, that Alone in the Dark falls perfectly in with the rest of
Boll's catalogue. It's boring, slow witted with a plot full of holes
and somewhat mediocre acting. The effects are fairly well made, which
kind of adds insult to injury, because it shows that somebody who
knows something did actually work on this project. All the harder to
accept the rest is utter shit, when you know they have the capacity
to make some of the things good enough. Boll really gives video game
adaptations a bad name, with all this tedious shit he spurts out.
Some of these games are popular classics aged like the finest of
wine, and along comes Uwe and totally vomits over everything. I
didn't actually play Alone in the Dark, so it's not like I really
give a shit about the game not being portrayed properly. What I do
give a shit about, however, is the simple fact, that Boll is allowed
to soldier on, with failure upon failure in his wake. And that,
somehow, he keeps attracting known names to his cause. I get that
money talks, but does nobody have any god damn integrity anymore?
What the hell is wrong with these people. Movies like this offend me.
Yes, you read that right. I'm offended that Tara Reid said yes,
because she could probably do better. OK that's a bad example. But
Christian Slater could. I have to believe he could. Otherwise, what's
the point of going on watching movies? Detective of the paranormal.
Detective of the... reason this movie is.. made, more like.. Shut up,
I totally had something for this!
The movie was dull enough for this screenshot to make the review. I had nothing to work with here. |
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